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Latinas on the Rise |
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In the U.S. and many areas abroad, we are now approaching the era of the Latina. Americans with ancestral roots in Mexico, Spain, Cuba, Peru, Portugal, Nicaragua, Guatemala, Columbia, the Dominican Republic-- indeed, all the Hispanic cultures. These Latinos have taken what's best and most vibrant in those traditions and married them to the energy and innovation of the United States, to create new styles and rythms for a wide variety of careers and professions. As the Latin population has grown in all of the U.S.'s major cities, new identities, forged by the challenge of equal rights and labor struggles, education, immigration, bi-lingualism and other daunting issues have created new power for Latinos who are seizing success in virtually every arena of life in the U.S. From cinema to restaurants, singing to salsa, Latinas are no longer on the fringes of power, but in the white hot center. Business and particularly advertisers, whose livelihood depends on keeping a sharp eye on such seismic shifts in population, buying power and increased affluence and success, have not failed to notice the next big trend: Latinas in the forefront. Consider the following:
Gloria Estefan, who went from being a refugee to having a $500 million fortune. Her concerts, contemporary, sizzling and well produced, none-the-less stress traditional Cuban family values with big screen photo albums of Gloria's baby pictures, her parents, husband and children. She introduced Nayib, her son, who's a drummer in her band, backing her up.
Sandra Cisneros , San Antonio resident and 1996 winner of the MacArthur "Genius" Award, the Oscars of the Multicultural Elite. Sandra Cisneros's "testimonio" literature has focused attention on gender and ethnicity. Cisneros ' The House of Mango Street, an almost autobiographical book dedicated "A las Mujeres" (To the Women) uses the sights, sounds, smells and sensations of daily family life to deal with the issue of growing up Latina in an Anglo society as well as growing up female in a male dominant society. Cisneros's works show the race-class-gender paradigm, an oppressive world seen through the eyes of her innocent Latina central figures.
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