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Magic and the Photograph
It was widely reported in the press (15 September 1997) that a British tourist, who stole a lump of stone from the base of the Great Pyramid five years earlier, returned it to the Cairo Museum with a letter saying that 'it had brought him bad luck ever since'. The Museum authorities were not surprised; several such items had been returned by people who felt cursed {When the Luxor Casino was built in Las Vegas it moved on its foundation so the elevators had a lot of re-engineering to be done, while I lived in Las Vegas. The death toll during its construction was nine. Do you think a religious and spiritual force knows when it is being improperly sullied?} after stealing them. A good reason for caution is the largely bogus story of an Egyptian coffin lid - or fragment of a coffin lid. It was told to Arthur Weigall, author of 'Tutankhamen' (1923) by its one-time owner, Mr. Douglas Murray who purchased the coffin some time in the 1860s: 'no sooner had he done so than he lost his arm, owing to the explosion of his gun. The ship in which the coffin was sent home was wrecked, and so was the cab in which it was driven from the docks; the house in which it was deposited was burnt down; and the photographer who made a picture of it shot himself. A lady who had some connection with it suffered great family losses, and was wrecked at sea shortly afterwards...The list of accidents and misfortunes charged to the spirit which is connected with this coffin is now of enormous length. The presence of an Egyptian mummy on board is sometimes blamed for the loss of the 'Titanic'. It was said to have been shipped to New York on the supposedly unsinkable liner. Its coffin, no.22542 in the British Museum, is associated with the curse, and Museum authorities caution people who propose to photograph it." (2) Negative self-fulfilling expectations are a difficult thing for people to deal with in conjunction with the sorcerers' art. This is the concept of the 'War Bottle' that turns your idiosyncrasies into more unbalanced certitudes that makes a strength become a fatal weakness. It is also the nature of energy that caused a large number of early North American Indians to forego the vanity of having their picture taken. Some of them listened to their wise men talk of the soul being frozen in the minds of those who would see the picture, and thus their spirit would not grow with them. There certainly is truth to the fact that our thoughts impact others. Our thoughts are energy and the thoughts of many people who thought negatively about the 'stupid savages' may have had just the impact the shamans and witch-doctors were certain would happen. The curse of humanity is that our soulful energy deceives our ego into thinking we are powerful. The ego doesn't understand. 'WE' is not 'me'! CANDLE MAGIC: Reversing candles are a great thing to protect yourself from the intent of people sending negative energy at you, but talismans and mandalas galore have been most reliable for the minor flare-ups. The cross is a mandala with four entry points for the assimilation of the four primary forces to become balanced at the 'center'. What you choose for faith in your goodness has much to do with your actual protection. In many ways a ritualistic process opens you through your own energy to the very things you project. This is true in the macrocosm of humanity as well as in the insipid little parcels of power-mongering flesh that think they deserve more than the numerous other life forms that have soul and ethics. One person (or persons) sought to make me suffer and there were some disturbing physical responses. The individuals involved were gay and they had hit on me numerous times. My response was a joke or a simple 'not my style'. One of them was in charge of three covens of witches and fancied himself the meanest 'SOB' in the Las Vegas Valley. He had a lot of good knowledge about Biblical origins and history and I enjoyed talking with him. The more he tried to impress me the less he succeeded. I made it clear I did not fear him or anything. The day my penis started to bleed was when I actually thought I might need more than my usual 'mirror and cross' visualization. I used a reversing candle and within a day the place where Lord Gandolph holed up when he was in Las Vegas was burned. His boyfriend (who had enjoyed my leather pants and boots) lost all of his belongings. This caused me to leave the teaching of the Wiccans after six months of 'Perfect Love, and Perfect Trust'! About a year later I discovered the high priestess had thought I was a 'Machiavellian Prince sent to overturn her Temple' and Lord Gandolf was one of her Temple Elders. There are many actual reasons why I know such things occur and I will relate them as it seems pertinent from time to time. The pursuit of 'siddhis' (powers) is a quest that robs one of their actual potential according to Alcyon who rejected his Messiahhood at the age of eight; later he became honoured even more for his truth. You may have seen or heard about this great man who recently left our physical place of reference - his name is Jiddhu Krishnamurti. Author of Diverse Druids
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Magic and the Photograph It was widely reported in the press (15 September 1997) that a British tourist, who stole a lump of stone from the base of the Great Pyramid five years earlier, returned it to the Cairo Museum with a letter saying that 'it had brought him bad luck ever since'. The Museum authorities were not surprised; several such items had been returned by people who felt cursed {When the Luxor Casino was built in Las Vegas it moved on its foundation so the elevators had a lot of re-engineering to be done, while I lived in Las Vegas. The death toll during its construction was nine. Do you think a religious and spiritual force knows when it is being improperly sullied?} after stealing them. A good reason for caution is the largely bogus story of an Egyptian coffin lid - or fragment of a coffin lid. It was told to Arthur Weigall, author of 'Tutankhamen' (1923) by its one-time owner, Mr. Douglas Murray who purchased the coffin some time in the 1860s: 'no sooner had he done so than he lost his arm, owing to the explosion of his gun. The ship in which the coffin was sent home was wrecked, and so was the cab in which it was driven from the docks; the house in which it was deposited was burnt down; and the photographer who made a picture of it shot himself. A lady who had some connection with it suffered great family losses, and was wrecked at sea shortly afterwards...The list of accidents and misfortunes charged to the spirit which is connected with this coffin is now of enormous length. How To Avoid Or Reduce Red-Eye Photography with the aid of a digital camera is beyond doubt very fascinating. However, it also has many a nooks that the users of the digital camera must be aware of and also must be well educated to deal with in order to produce good photographs worth the most prized digital camera. Such a concept is that of the red eye! In order to understand what this red eye actually is, a little detailed introspection is necessary. Basically speaking red-eye is a function of at least three things, they are firstly, ambient level of light because stumpy light level causes the retina of the person to be photographed to open wider to admit more light thereby divulging open the iris, which is the primary part that reflects the red light hence giving the appearance of red eyes for the subjects. Also secondly the younger the person being photographed the wider remains the retina and hence the greater the effect of red eye in the picture. 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The flash also works to your advantage when your subject is not too close but slightly away from you. But you have to check the 'flash range' of your camera in your manual. The flash works best when your subject is within a recommended range that is usually at least 4 ft and generally not more than 10 ft. Most simple cameras have an automatic flash. Slightly better models will have settings for fill-flash. The concept of fill flash revolves around filling light in areas of a picture that may turn out dark or shadowed. Fill-flash has the ability to balance the amount of light on different parts of a subject to ensure that the exposure is adequately bright. For instance, a portion of a person's face may appear shadowed and the fill-flash setting can help iron out this problem. The angle of light is another important consideration. 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When you use a 'back light' it is recommended that the fill-flash settings on your camera are also adjusted in order to avoid shadows in your photograph. The second issue in photography is the aesthetics of the picture. Aesthetics is the creativity and attention to detail that you bring to your photograph. It is the most interesting part of photography since it is almost like a visual equivalent of composing a poem or writing a story. Aesthetics requires the use of visual skills to compose and deliver a pleasing, eye-catching and captivating image. It is a type of vision that you have for your photograph in terms of look and appeal. Aesthetics requires a good eye for detail. The following factors have to borne in mind in creating an aesthetically appealing photograph: Background --Periphery --Distance from subject --Changing the direction of your camera based on picture dimensions --Objects impinging on the picture --Avoiding too many elements Each of these factors that go into aesthetics are described and explained below- -->Background The background in a photograph requires much consideration. It influences the manner in which your subject is portrayed in the photograph. Depending on your choice of background, your subject will be shown to effect or may be overshadowed. The background also makes the difference between a boring and an interesting photograph. The colors, the type of background and the context add to the vibrancy of the photo. -->Perphery A common problem among beginners in photography is not paying attention to whether the image is being captured fully. When you view your subject through the viewfinder, you may think you have clicked a person from head to shoulder or from head to toe in a full shot. But when the actual photograph is processed, the top of your subject's head or part of the hair may be missing! Or, if you did not center your subject when you composed the shot through your viewfinder, a part of the shoulder or hand may be lost into the edges of the photo. You need to concentrate when you view your subject through your camera before you click, in order to get the picture exactly the way you want it. -->Distance from Subject The distance from a subject is another critical aspect in getting a good picture. You want to see facial expression, not a mass of faces when you take a photograph. To do this, you have to be at a suitable close distance from your subject. On the other hand, when you click pictures of a campus, the distance that you click from can give you a wide view and take in a lot more of the scene. 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If you want to freeze action such as in sports, you require fast shutter speeds. There are many more features that when used effectively can add value to the impact of your photographs. Most 35mm SLR cameras have a TTL viewfinder. TTL stands for 'through the lens' metering system. This device has the ability to measure (on a scale) the amount of light impacting the film. Using this device is the key to control the exposure and get the right amount of light in order to capture a proper image. You can also use a tripod with your SLR camera. A tripod is your answer to achieving the right exposure in a close up shot and in low light conditions. It holds the camera steady, helps in focusing and ensures a sharper picture even when shutter speed is slow. The guidelines discussed here on the basics of photography and the additional features of the SLR system, will not only get you started but also help you avoid the common mistakes that many budding photographers make. Study your manual thoroughly for insights and ideas. Learning photography requires patience and the ability to constantly experiment and teach yourself through a process of trial and error. Extreme Digital Photography: Beyond Point-and-shoot When my old Olympus digital camera got broke while caving during a family camping trip, I had mixed feelings. For quite some time I had felt that the quality of some of my pictures was hampered by the limitations of that camera, but I did not look forward to spending the money on a new one. HP Digital Cameras - History and Beyond HP has started making digital cameras only recently. However, the firm provides a one-stop-shop for all digital facilities. The company has made a large number of innovations over the years. Let us view the interesting history of this company. Olympus Digital Cameras - Digging Into The History One of the oldest companies, Olympus has had a long and historical journey. 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Transfer The Digital Camera Images To Your Computer There are a few very important tasks associated with using the digital camera. The most important is of course capturing a beautiful photograph. The next most important task is that of transferring this image somewhere from where it can be printed. The most suitable place is hence the computer. Now, here comes another area of importance that needs to be analyzed and sufficient knowledge is required to be imparted to the users to make ample use of such an important feature. This discussion is thus generally focused upon this mechanism to transfer the digital camera images to the computer, and the various types of such a transfer. Looking from a very simple point of view, there are two methods for transferring the digital camera images to the computer; they are firstly by attaching the digital camera directly to the computer (a process that is popularly called tethering) and secondly by the use of a memory card reader. 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